WHILE EVERYONE ELSE IS PREOCCUPIED WITH BEN AFFLECK PLAYING BATMAN, LET'S OGLE THE BUMTASTIC WENTWORTH MILLER.

HIT THAT QUARTER POSE,
BABES!

BOOTY TOOCH!

AND BOOTY TOOCH,
PERFECTED.

MY HERO!
I HEART YOU,
WENTWORTH MILLER!

// HE CAN PLOT 

A DAMN GOOD PRISON BREAK -

THAT'S FOR SURE.

BUT HE AIN'T PUTTIN' UP

WITH NO WHITE (OR BLACK)

RUSSIANS, 

UH-UH. //

MAC INDULGE, KIEHL'S ULTIMATE MEN + READY FOR LOVE

FRONT ROW SEATS (I grabbed 'em; Sarah reluctantly followed...)
AT THE MAC INDULGE PRESS LAUNCH.

A VIOLINIST PLAYING AC/DC OPENED THE SHOW.
MC EXTRAORDINAIRE CYRUS CHOW HOSTED.
BEAUTIES & THE BEAST MODELED.

RIGHTMOST IS 2013 MR GAY HK FINALIST, TREVOR ALT.
WOOHOO! 

HK MAG'S SEXY MANAGING EDITOR, SARAH FUNG,
GETS HER MAC INDULGE FACE ON.

A BIT OF GUYLINER + PRESSED POWDER FOR HYPERACTIVE.

BLACKTRACK FLUIDLINE EYELINER GEL (!!!)  IS SUPER NICE.
MY GUY, JOHN CHAN, USED AN ANGLED EYELINER BRUSH
TO WING THE CORNERS OF MY EYES.

EVERY SO OFTEN HE'D DIP THE BRUSH IN WATER
TO GET A DEEPER, DARKER SOOTY-ER APPLICATION.

THE RESULT WAS A CLEAN, PRECISE AND GRAPHIC POP
THAT INSPIRED ME TO WEAR THE LOOK
WELL INTO THE EVENING.

BRING THE WEEKEND ON!
POUNDING PAVEMENT IN SOHO.

AT KIEHL'S ULTIMATE MEN FUNDRAISER AGAINST CHILD ABUSE

"WHY SO SULLEN?" AD WONDERED.

"BECAUSE," I REASONED,
"THE BOOK'S IN FUNNY ENGLISH!"

AND THE SAMPLE PRODUCTS GIVEN US WERE LOOSE -
NOT IN BRANDED GOODY BAGS (!!!).

BUT AD AND I STILL DONATED.
ANYTHING FOR THE KIDS.

#HYPR + #EVILGENIUS?

IT'S AN #MGHK POWER PLAY.

NIGHT'S NOT NEARLY DONE YET!

OFF TO EMMA'S NEXT
TO HANG OUT
WITH MY
NON-SEXUAL WIFE
OVER PIZZA, PASTA &
RERUNS OF DIVA UNIVERSAL'S
READY FOR LOVE.

IT'S ONE OF THOSE "IT'S SO BAD, IT'S GOOD"
MOMENTS IN POP CULTURE.
TRASH-TASTIC!

WITH SUCH SMOLDERING SENSUALITY,
IT'S A WONDER WE'VE KEPT THIS MARRIAGE
NON-SEXUAL AT ALL!

AFTER A QUICK HI-HELLO TO MY BEST FRIEND RYE,
OFF TO YET ANOTHER PARTY...

AND THEN MY iPHONE DIED.

// #HYPER?

YOU DON'T SAY. //

THE KRISTEF BROTHERS PERFORM HAND BALANCING ACT IN THEIR UNDERWEAR.

Wouldn't you just want to watch these brothers at rehearsals?

I know I would!

"Bozo! You didn't keep your head down like you were supposed to!"
"My head was down. You gotta keep your nuts in a dance belt so they don't keep slappin' my face!"

 // THAT'S HOT. 

BRO. //

JENNIFER HUDSON // I CAN'T LET GO (SMASH)

"Let it go," my dear friend, Todd, advised.

"I can't," I said, taking another sip of my vodka cranberry. "I just love SMASH too damn much!"

And is it really hard to see why? Unlike Glee, Smash's original songs have the confidence of believable hits.

Jennifer Hudson shows so much of her voice in this track - her signature brassy sound, unbelievable power and range, a fearlessness to go to an "ugly" break and yet stay beautiful, a peerless ability to paint a story, and a heartbreaking softness towards the end.

Bring back Smash!!!

// THE HYPERACTIVE GAY BOY™ //

CANDICE GLOVER // ORDINARY PEOPLE

Every artist has a moment - that magical second they connect with an audience. From there, people just start to get it, whatever it is the artist is creating.

I have to admit I had my doubts about Candice Glover's chances when hype started to build around her at the Idol auditions this year. The American entertainment industry is littered with the bones of millions of big, black girls who can sing. Some become back-up singers for life. Others become vocal coaches. Precious few, like Aretha and Chaka, become stars. Jennifer Hudson doesn't count; Idol rejected her back when she was big and therefore seen as unmarketable. She fought her way back into the public eye with Dreamgirls, but even that rode on Beyonce's star power and the universal appeal of her power ballad, Listen. J.Hud is now skinny and is more successful than ever.

Candice Glover had a moment with Ordinary People. This girl has star appeal, I thought. She's comfortable on stage. She is an amazing story teller. She has a great sense of a song's beginning, middle, and end. She can colour phrases. She has range and power. And she is always in perfect control of a performance. This differentiated her from Amber Holcomb, who seemed like a scared colt most of the time. Candice is everything we expect a big, black diva to be. Still, I kept my hopes of a Candice victory in check because Idol has produced some pretty awful "winners" over the years. How the hell do you justify Taylor Hicks?!

This year Candice had some pretty formidable opponents, too. Never mind that it was a clear set-up for a girl to win, Devin Velez could sing his face off for days. Meanwhile, Angie Miller and Amber Holcomb were a music producers' wet dream: youth, beauty, talent, legs! And Kree Harrison is just a powerhouse country vocalist in a competition where country music does so well.

Which then brings me to my next point. A moment is worthless if you haven't got the right timing. Once that moment hits, you gotta be ready.

And Candice was. She delivered crazy-good renditions of I (Who Have Nothing), When You Believe, Emotion, Love Song, Somewhere. She proved she was ready, today.

Brava, America, for figuring out something we gays knew all along. Anybody can sing but only a big black girl can truly sang. We wish Candice luck on her career! May she enjoy success so we then can enjoy many more years of gorgeous music from her.

And keep the curves, girl, coz you're gorgeous just the way you are!

CANNIBALIZE ME, HUGH DANCY.

 

I love Hannibal - the movies, the books, and now, the TV show. There's something inexplicably sexy about an intelligent and cultured human being who kills other human beings in order to eat them. That's just so... indulgent!

In the new-ish Hannibal TV series on NBC, English actor Hugh Dancy plays Will Graham - a gifted criminal profiler and hunter of serial killers. Inadvertently - and unknowingly - he participates in Hannibal Lecter's peculiar nutrition and dietetics program.

Doesn't he just look so exquisitely tortured?

I want to eat him.

Or maybe he can eat me.

Whichever.